Bosq The Ibibio Horns Kaleta
Song For Ehi

Invisible City Editions returns with the long awaited repress of Shawn Pittman - Dreams, a fantastic double-sided private press rarity from 1989 Detroit. Featuring two legendary Inner City alumni, Art Forest (producer / keyboardist / engineer), and vocalist / background dancer, Shawn Pittman. On the A side is a lush slow modern soul slow burner Dreams features a deep, spatial throbbing bass line with glistening synths floating underneath cool angelic hypnotic vocals by Pittman. “Dreams are only dreams until you make them real.” Perfect downtempo for early mornings and the post-club world. On the B side, we have 2 peak time bangers, a Prince style electro boogie hit I’m Losing Control, alongside the insane I'm Losing Control (Extended Bass-ment Club Mix), a wild late night warehouse dub remix featuring sci-fi vocal effects, fostex tape loops and ultra-heavy bass and driving drum machines. Official Repress via Art Forest and his label Wildboy. Essential stuff! Limited pressing. Tip!

Floating Points’ personal collection of global soul, ambient, jazz and folk treasures form the latest in the warmly revered Late Night Tales series.Sam Shepherd aka Floating Points’ music taste is notoriously tricky to define, ranging from ethereal classical at one end to coruscating techno at the other, united only in a firm belief in the transcendental power of music to move hearts, minds and – yes – feet. Similarly, his production career has ranged from early experiments in dance music with breakout records such as the ‘Shadows EP’ and collaborating with legendary Gnawa master Mahmoud Guinia to his expansive album ‘Elaenia’, which met with critical acclaim upon its release in 2015.This Late Night Tales excursion into the depths of the evening reflects his broad tastes. The globally-travelled producer has collected untold treasures on his travels from dusty stores in Brazil to market stalls near his hometown. There’s the gorgeous ‘Via Làctea’, culled from Carlos Walker’s debut album, Abu Talib’s (Bobby Wright) plaintive ‘Blood Of An American’ and Robert Vanderbilt’s gospel reworking of Manchild’s ‘Especially For You’. Raw soul and feeling oozing from each song’s pores.At the other end of the music scale are the modernists, such as Québécoise Kara-Lis Coverdale who weighs in with the indelible ‘Moments In Love’, Kaitlyn Aurelia Smith whose ‘Milk’ is an exercise in tranquility, while Sarah Davachi’s meditative mix-opener offers respite from a weary world.