Open today: 00:00 - 23:59

By continuing your navigation on this website, you accept the use of cookies for statistical purposes.

Moodymann
Forevernevermore

Forevernevermore
ForevernevermoreForevernevermore

Artists

Moodymann

Catno

PF 095

Formats

2x Vinyl 12" 33 ⅓ RPM Album Limited Edition Repress

Country

UK

Release date

Apr 1, 2020

Detroit House music

Kenny Dixon Jr's 'Forevernevermore' was his third album and is perhaps his definitive opus - a pure, deep, late night Detroit classic that has birthed countless immitations since its release in 2000.

It really is pretty definitive - and it holds up beautifully almost 20 years later, from his take on Chic's 'Don't you want my love' to 'The thief that stole my sad days' - there are just too many certified classics here to mention. Quite apart from anything else, Forevernevermore manages to sound experimental, sophisticated, fucked and joyous all at once - making reference to classic Piano House one moment, and deepest Techno the next, his vocal narrative offsetting pure euphoria with a sharp dose of Motor City realism.

In terms of classic House music, few have come close to anything you'll find on this album - a perfect distillation of light and shade from one of Detroit's greatest ever.

Media: Mi
Sleeve: M

$60*

*Taxes included, shipping price excluded

A1

Meanwhile Back At Home

3:55

A2

Wednesday Night People

1:54

A3

The Set Up

4:20

B1

Don't You Want My Love

3:33

B2

(Logo)

4:22

C1

Your Sweet Lovin

3:21

C2

The Thief That Stole My Sad Days (Ya Blessin Me)

6:57

D1

Forevernevermore

6:50

D2

Tribute

5:14

Other items you may like:

The first X-Kalay release of 2022 finds Melbourne’s Escape Artist traversing wormholes, complete with an assist from the ever-prolific Roza Terenzi.Picking up where a 2019 Salt Mines debut left off, ‘Wanna Dance’ allows proggy tendencies to flourish across some mind-altering electro. Portals to higher planes of consciousness and uncharted star systems fling open as widescreen, celestial pads make way for lysergic climax.Ramping up the intensity with her ‘Bassbin Mix’, Roza Terenzi jumps on remix duties; another electro workout, but this time more urgent, more propulsive. Bringing the tribal-breakbeat pressure in spades, it’s quintessential Terenzi.More prog, but leaning further towards cosmic techno percolation, ‘Levitator’ finds mazy arpeggios in seemingly infinite ascent. ‘Time Knife’, on the other hand, is a radiant, beatless highlight. Deploying cascading synth arps to truly mesmeric effect, it sees the Antipodean achieve sublime tension in a rare moment of introspection.
**2022 repress**Recorded on the Coast Salish territory in Vancouver, three tracks on the EP grew out of a live set Yu Su began developing in 2018 for a series of performances. The record also features two collaborations; on the opening track “Little Birds, Moonbath” Michelle Helene Mackenzie appears on modular synth, with Vancouver locals Pender Street Steppers joining Yu Su for an improvised jam, appearing on guitar and synth across “Tipu’s Tiger”.The title ‘泉出通川为谷 / Roll With The Punches' as Yu Su herself explains, “Is a metaphor translated from an old Chinese proverb, that roughly translates as ‘The Spring flows over plains and The Valley is born’. The proverb explains the origin of ‘The Valley’ and also speaks of a very Daoist abstraction in which the ‘Thousand Things’ are born and will eventually co-exist in the metaphysical system of ‘The Valley’.”
Bouncy deep house bizness out of Perth, WA.A 6 track EP of unheard, unreleased archival tracks taken from Ewan "Red Ember" Jansen's vast DAT collection spanning the period 1999 - 2004.