Nobody Home
Remains Of Earlier Temples

The first X-Kalay release of 2022 finds Melbourne’s Escape Artist traversing wormholes, complete with an assist from the ever-prolific Roza Terenzi.Picking up where a 2019 Salt Mines debut left off, ‘Wanna Dance’ allows proggy tendencies to flourish across some mind-altering electro. Portals to higher planes of consciousness and uncharted star systems fling open as widescreen, celestial pads make way for lysergic climax.Ramping up the intensity with her ‘Bassbin Mix’, Roza Terenzi jumps on remix duties; another electro workout, but this time more urgent, more propulsive. Bringing the tribal-breakbeat pressure in spades, it’s quintessential Terenzi.More prog, but leaning further towards cosmic techno percolation, ‘Levitator’ finds mazy arpeggios in seemingly infinite ascent. ‘Time Knife’, on the other hand, is a radiant, beatless highlight. Deploying cascading synth arps to truly mesmeric effect, it sees the Antipodean achieve sublime tension in a rare moment of introspection.

Sweat Ur Prayers, the next wavy addition to Radiant Love’s catalogue, is the first solo-EP of Byron Yeates. In their messaging, their timbres and grooves, the 4 tracks speak faithfully to Yeates’ inclinations as a DJ and label-head: the playfulness and buoyancy, a constant nod to the roots of rave, and a faith in dance music’s transformative power.Opening the release is the title track, a bubbling and breakbeat-laden 8 minutes. Mantric repetition is a running theme throughout the EP, and we hear “Raindrops falling all around, freeing me from other sounds; trickling down my weary eyes, bringing me back, I’m ready to fly” as an opening salvo. Yeates’ is known for his vast, enduring DJ sets, inducing sheens of sweat from all involved – with these tracks, it’s clear he’s unafraid to take his time to build tension as a producer as well. The percussive conversation between hi-hat and snare complexifies until a clap enters near the 2 minute mark and suddenly we’re in the main, driving groove.

Invisible City Editions returns with the long awaited repress of Shawn Pittman - Dreams, a fantastic double-sided private press rarity from 1989 Detroit. Featuring two legendary Inner City alumni, Art Forest (producer / keyboardist / engineer), and vocalist / background dancer, Shawn Pittman. On the A side is a lush slow modern soul slow burner Dreams features a deep, spatial throbbing bass line with glistening synths floating underneath cool angelic hypnotic vocals by Pittman. “Dreams are only dreams until you make them real.” Perfect downtempo for early mornings and the post-club world. On the B side, we have 2 peak time bangers, a Prince style electro boogie hit I’m Losing Control, alongside the insane I'm Losing Control (Extended Bass-ment Club Mix), a wild late night warehouse dub remix featuring sci-fi vocal effects, fostex tape loops and ultra-heavy bass and driving drum machines. Official Repress via Art Forest and his label Wildboy. Essential stuff! Limited pressing. Tip!