Daisy Records
Daisy X Chiyio 'Bound By Sound' Reflective Hoodie

These pieces are made from welded steel chain, finished with a gloss epoxy paint, a fantastic addition to any home.We package and send these with absolute & complete care in the most environmentally harmless way possible - if you would prefer to pick this item up from us to ensure maximum safety of the object we are happy to accommodate that option.

Communique Records re-issues Spencer Kincy's 'The 4th Day'from 1995 on the sublabel MakeOutMusic!

Milano via the cosmos duo "Eternal Love" deliver their debut Altar EP for the 10th physical disc on Planet Trip records. Best enjoyed spritz in hand or windows down in your friend's cabrio. Soak up 4 primo balearic, street soul and acid dipped housey cuts via everybody’s favourite cavalli.creditsreleased August 21, 2022All tracks produced by Eternal Love for Planet Trip RecordsMixed by Paul JextraMastered by Nick ArksArtwork by Sean C Bate

Bring It On Home: Peter Grant. Led Zeppelin And Beyond: The Story Of Rock's Greatest Manager.BRAND NEW.

The original Hard Dance rug design now in tea towel form!Screen printed in Naarm on an absorbent 50/50 linen and cotton blend.50cm x 77cm

Throughout the heady years of New York's 1960s and 70s music scenes, James Hamilton was on hand to observe and photograph some of the most significant bands, musicians and performances of the twentieth century. Serving as staff photographer for the Village Voice and Crawdaddy!, Hamilton photographed such musicians as James Brown, Captain Beefheart, Ornette Coleman, Creedence Clearwater Revival, Crosby, Stills, Nash and Young, the Grateful Dead, John Fahey, Mick Jagger, Jethro Tull, Elvin Jones, the Kinks, Madonna, Charlie Mingus, Joni Mitchell, the Ramones, Gil Scott-Heron, Patti Smith, Sun Ra, Tom Verlaine and Stevie Wonder. In You Should Have Heard Just What I Seen, Hamilton opens up his archives for the first time, revealing across 300 pages a trove of previously unpublished black-and-white photographs--portraits, snapshots, sketches, contact sheets--of some of the most recognizable faces in music. Influential for several generations of budding photographers raised on his photographs, the work of James Hamilton is at last collected in this revelatory volume.As a young man in the late 1960s, James Hamilton met the legendary photographers Diane Arbus and Eugene Smith, and was inspired by them to document the changing skyline of New York City. As staff photographer for Harper's Bazaar and the Village Voice, Hamilton recorded the fashion shows, events, protests and riots, happenings, concerts, poetry readings and art openings of that era, and throughout the 1970s, his photographs of musicians and celebrities began to appear in the pages of Crawdaddy! magazine. Later Hamilton joined The New York Observer and began working with filmmakers George Romero, Francis Ford Coppola, Wes Anderson, Bill Paxton and Noah Baumbach as on-set photographer304 pgs, 27 × 30 cm, Hardcover, 2015,