Art Paper Editions
RAVEDEATH CONVENTION - JAN PHILIPZEN

Jazz/Funk/Soul

Throughout the heady years of New York's 1960s and 70s music scenes, James Hamilton was on hand to observe and photograph some of the most significant bands, musicians and performances of the twentieth century. Serving as staff photographer for the Village Voice and Crawdaddy!, Hamilton photographed such musicians as James Brown, Captain Beefheart, Ornette Coleman, Creedence Clearwater Revival, Crosby, Stills, Nash and Young, the Grateful Dead, John Fahey, Mick Jagger, Jethro Tull, Elvin Jones, the Kinks, Madonna, Charlie Mingus, Joni Mitchell, the Ramones, Gil Scott-Heron, Patti Smith, Sun Ra, Tom Verlaine and Stevie Wonder. In You Should Have Heard Just What I Seen, Hamilton opens up his archives for the first time, revealing across 300 pages a trove of previously unpublished black-and-white photographs--portraits, snapshots, sketches, contact sheets--of some of the most recognizable faces in music. Influential for several generations of budding photographers raised on his photographs, the work of James Hamilton is at last collected in this revelatory volume.As a young man in the late 1960s, James Hamilton met the legendary photographers Diane Arbus and Eugene Smith, and was inspired by them to document the changing skyline of New York City. As staff photographer for Harper's Bazaar and the Village Voice, Hamilton recorded the fashion shows, events, protests and riots, happenings, concerts, poetry readings and art openings of that era, and throughout the 1970s, his photographs of musicians and celebrities began to appear in the pages of Crawdaddy! magazine. Later Hamilton joined The New York Observer and began working with filmmakers George Romero, Francis Ford Coppola, Wes Anderson, Bill Paxton and Noah Baumbach as on-set photographer304 pgs, 27 × 30 cm, Hardcover, 2015,

THIS ITEM IS MADE TO ORDER. PLEASE ALLOW UP TO 3 WEEKS FROM THE DATE OF PURCHASE FOR PRODUCTION.Hand-tufted Soft Ware Hard Dance floor rug. Loop pile, tufted with 100% wool that has been sourced second-hand, backed with acrylic felt and bound together by hand.An amalgamation of SW's 2 great loves, dance music and textiles. Inspired by rave flyers and culture.Measures approximately 110cm x 80cm.Each item is lovingly made by hand so slight variations in design may occur.There is no return or refund for change of mind so please read the description of the item carefully before purchasing.

Hand-tufted B/K Effect mini rug in brown and hot green. 100% cut pile cotton yarn backed with acrylic felt.Inspired by the Bouba/Kiki effect and how it maps the way our brains connect shape with sound.The size and shape of these rugs make them incredibly versatile. Looks great on the floor, a chair, at the end of your bed, draped over a couch, as a table centerpiece or on a shelf!Measures approximately 50cm x 25cm.Each item is lovingly made by hand so slight variations in design may occur. There is no return or refund for change of mind so please read the description of the item carefully before purchasing.

The ‘Psyche” Tee is inspired by one of our favorite set posters designed for Kyoto-based Dj & Producer Stones Taro’s, when he featured on our mix series ‘The Inner Sound’ where he unleashed a 1-hour UKG / House / Jungle set that we absolutely loved. The design itself was inspired by vast contrasts of colour and sound, created to encapsulate the varying musical journeys we had been taking throughout the 2021 lockdowns, from Japanese Ambient works, obscure left-field electronica & melodious psychedelic dancefloor experiments from all over the world - apart from having a deep dive into our crates of wax to explore avenues of design inspiration, we also took influence from classic rave posters & flyers such as 1992 / 1993 Fantazia, Dreamscape & World Dance.Printed & Designed locally in Melbourne / Naarm

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