Daisy Records
Daisy Records Logo Tee / Black

THIS ITEM IS MADE TO ORDER. PLEASE ALLOW UP TO 3 WEEKS FROM THE DATE OF PURCHASE FOR PRODUCTION.Hand-tufted Soft Ware Hard Dance floor rug. Loop pile, tufted with 100% wool that has been sourced second-hand, backed with acrylic felt and bound together by hand.An amalgamation of SW's 2 great loves, dance music and textiles. Inspired by rave flyers and culture.Measures approximately 110cm x 80cm.Each item is lovingly made by hand so slight variations in design may occur.There is no return or refund for change of mind so please read the description of the item carefully before purchasing.

Quality waterproof decal measuring 13.5 x 5.5 cm suitable for both outdoor and indoor use.RED ON WHITE.

Throughout the heady years of New York's 1960s and 70s music scenes, James Hamilton was on hand to observe and photograph some of the most significant bands, musicians and performances of the twentieth century. Serving as staff photographer for the Village Voice and Crawdaddy!, Hamilton photographed such musicians as James Brown, Captain Beefheart, Ornette Coleman, Creedence Clearwater Revival, Crosby, Stills, Nash and Young, the Grateful Dead, John Fahey, Mick Jagger, Jethro Tull, Elvin Jones, the Kinks, Madonna, Charlie Mingus, Joni Mitchell, the Ramones, Gil Scott-Heron, Patti Smith, Sun Ra, Tom Verlaine and Stevie Wonder. In You Should Have Heard Just What I Seen, Hamilton opens up his archives for the first time, revealing across 300 pages a trove of previously unpublished black-and-white photographs--portraits, snapshots, sketches, contact sheets--of some of the most recognizable faces in music. Influential for several generations of budding photographers raised on his photographs, the work of James Hamilton is at last collected in this revelatory volume.As a young man in the late 1960s, James Hamilton met the legendary photographers Diane Arbus and Eugene Smith, and was inspired by them to document the changing skyline of New York City. As staff photographer for Harper's Bazaar and the Village Voice, Hamilton recorded the fashion shows, events, protests and riots, happenings, concerts, poetry readings and art openings of that era, and throughout the 1970s, his photographs of musicians and celebrities began to appear in the pages of Crawdaddy! magazine. Later Hamilton joined The New York Observer and began working with filmmakers George Romero, Francis Ford Coppola, Wes Anderson, Bill Paxton and Noah Baumbach as on-set photographer304 pgs, 27 × 30 cm, Hardcover, 2015,

Our Adventures In Frequencies Tee is inspired by countless hours spent digging through varying genres of records, both physically and of course, digitally, finding mind-bending experimental masterpieces that inspire us, beautiful avant-garde journeys through sound that creates a drive to further advance our knowledge into the never-ending library of music and subcultures linked to music. we took heavy influence from rave/dance flyers from 1991 - 1993 specifically, such as “Real Dream” presented by Perception in 1992 in the UK which featured Carl Cox & DJ Seduction, although well before our dancefloor days, we marvel at what once was and much like records, we love exploring past explorations into the electronic dance music scene and all the wonderful, mind-bending artwork that was created alongside it.Printed and designed in Melbourne on 100 percent cotton teesBlue Screen Print On White TeeFrequency - the rate per second of a vibration constituting a wave, either in a material (as in sound waves), or in an electromagnetic field (as in radio waves and light). "different thicknesses of glass will absorb different frequencies of sound"

Started as a visual diary by Jan Philipzen, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses... ​The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.Published by Art Paper Editions20 x 26 cmSoftcover176 pages1st EditionOctober 2020EnglishISBN 978-9-4931465-2-5

These pieces are made from welded steel chain, finished with a gloss epoxy paint, a fantastic addition to any home.We package and send these with absolute & complete care in the most environmentally harmless way possible - if you would prefer to pick this item up from us to ensure maximum safety of the object we are happy to accommodate that option.